![]() ![]() In Scotland, the system known as Canntaireachd ("chanting"') was used as a means of communicating bagpipe music verbally. ![]() īyzantine music uses syllables derived from the Greek alphabet to name notes: starting with A, the notes are pa (alpha), vu (beta, pronounced v in modern greek), ga (gamma), di (delta), ke (epsilon), zo (zeta), ni (eta). Laborde in Essai sur la Musique Ancienne et Moderne (1780), is that the syllables were derived from the Arabic solmization system درر مفصّلات Durar Mufaṣṣalāt ("Separated Pearls") ( dāl, rā', mīm, fā', ṣād, lām, tā') during the Middle Ages, but there is not any documentary evidence for it. Īn alternative explanation, first proposed by Franciszek Meninski in Thesaurus Linguarum Orientalium (1680) and later by J.-B. Giovanni Battista Doni is known for having changed the name of note "Ut" (C), renaming it "Do" (in the "Do Re Mi. Guido of Arezzo is thought likely to have originated the modern Western system of solmization by introducing the ut–re–mi–fa–so–la syllables, which derived from the initial syllables of each of the first six half-lines of the first stanza of the hymn Ut queant laxis. The system for other Western countries is similar, though si is often used as the final syllable rather than ti. The seven syllables normally used for this practice in English-speaking countries are: do, re, mi, fa, sol, la, and ti (with sharpened notes of di, ri, fi, si, li and flattened notes of te, le, se, me, ra). Various forms of solmization are in use and have been used throughout the world, but solfège is the most common convention in countries of Western culture. Solmization is a system of attributing a distinct syllable to each note of a musical scale. ( January 2013) ( Learn how and when to remove this template message) Please help to improve this article by introducing more precise citations. This article includes a list of general references, but it lacks sufficient corresponding inline citations. ![]()
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